Nice music fade from black to establishing shot of a restaurant
INT.RESTAURANT. EVENING
Man sitting with fiancé. Smiling and happily talking. Two empty bottles of wine on the table.
INT. LIVING ROOM. EVENING
Quick crosscuts if men getting ready. As the couple are eating, the men are cocking guns and getting ropes ready etc. do not show their faces until they have balaclavas on. They nod at each other and leave the house.
INT. RESTAURANT. EVENING
The couple still sitting at the table talking to each other, the bill arrives. They get up to leave the restaurant, JAMIE helps her put her jacket on. They leave the restaurant.
INT-EXT. CAR EVENING
SEAN
This is it man, pull over
Close up of door slamming closed.
EXT.STREET.EVENING
Cuts to men walking up to front door of house. They kick door in run into kitchen grab a woman. She screams but they hit her and tie her and gag her, drag her to the car and throw her in.
EXT.STRRET.EVENING
Cuts back to the couple.
WOMAN
I hate how unhappy your wife makes you. Why can’t we just leave together? Tonight
JAMIE looks exasperated but the phone rings, he answers.
VOICE
So you love your wife JAMIE? You shouldn’t have stolen from me. Bring the ten million to the docks tomorrow or she’ll be sleeping with the fishes. Don’t be late.
INT. DIFFERENT HOUSE. EVENING
Cuts to DAVID flipping close a phone, you see the wife trembling behind him on a chair held up the two kidnappers thugs, he turns around and smiles threateningly.
Fades to black
TITLES
The script is suitable for the opening of the movie because it is being filmed in a linear sequence which makes the movie easier for the audience to follow while at the same time making it less complicated for us to instil a sense of anxiety among the viewers. Moreover we have tried to keep the amount of dialogue to a minimum because we do not have a suitable standard of equipment for recording people's voices, as we found this out while doing some other tasks using filming in previous weeks leading up to filming. We also have been using cross-cutting between the protagonist and the antagonists in order to use a narrative technique and create a red herring for the audience.
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